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海顿(Haydn) -《巴黎交响乐》(Paris Symphonies Nos, 82 ~ 87)Nikolaus Harnoncourt[APE]

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  • 摘要:
    发行时间2005年04月05日
  • 时间: 2007/12/16 18:33:47 发布 | 2007/12/16 23:30:05 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Paris Symphonies Nos, 82 ~ 87
专辑中文名巴黎交响乐
艺术家海顿(Haydn)
资源格式APE
版本Nikolaus Harnoncourt
发行时间2005年04月05日
简介

IPB Image


指挥:Nikolaus Harnoncourt
演奏:Concentus Musicus Wien
SPARS Code:DDD
Label:DHM
ASIN:B0007OP69E

专辑介绍:

Nikolaus Harnoncourt生于1929年的德国柏林,在奥地利的Graz成长、受教育,主修大提琴,于1952年进入奥地利交响乐团。
1953年,N. Harnoncourt成立早期音乐演奏乐团,"Concentus musicus Wien"。此团创立至今已有五十年的历史,荣获过无数奖项,已是早期音乐风格演奏的代表。自1970年开始,N. Harnoncourt尝试指挥歌剧,曲目着重于早期的作品,如Monteverdi、Mozart的歌剧,他都有独特的诠释。在1972年开始,他也在萨尔兹堡的莫扎特音乐院任教,将自己丰富的音乐经验、深刻的艺术思想与来自世界各地的音乐晚辈分享。这些学生真是幸运啊!因为〝聆听大师一席话,胜读十年书〞!
N. Harnoncourt是位充满着叛逆特质的音乐家,他所诠释的早期音乐,充分表现他对艺术的独特见解,他让早期音乐脱离那死板、守规矩又带点考古气息的无聊表现。他的音乐完全合乎时代音乐演奏风格,而在这风格之下,他展现了完全的浪漫,充满着生命的活力,更散发出致命的吸引力,难怪N. Harnoncourt常说,"I believe that music is a romantic art. I am a true romantic."
记得在维也纳读书时,时常到音乐厅看N. Harnoncourt排练,每一次都有深刻的震撼,钗h的刺激!排练时,他严格地要求时代句法风格的表现,追求完美的精神,丝毫不与乐团妥协。指挥时,他简单有力的手势,炯炯有神的目光,活力十足的肢体语言,激发着乐团内在的生命力;自然地,共同创造音乐生命的艺术就洋溢在空气中了!N. Harnoncourt强调音乐就是语言的表达,他对乐团的要求如此,对合唱团就更是了!当合唱团与乐团合奏时,他不断地要求合唱团对歌词的表现并不是只有咬字清楚,更重要的是歌词内涵的传达,要求大家要言之有物,因为音乐只是另一种说话的方式!
N. Harnoncourt录制过钗hCD,如果您想要了解早期音乐的风格表现,他会是您的好朋友;如果您想一睹大师的独特特质,他的CD会是您在音乐欣赏时,版本比较的数据。
N. Harnoncourt也写书。其中一本"The Musical Dialogue - Thoughts on Monteverdi, Bach and Mozart" (有德文、英文版),陈述他对音乐诠释的想法,值得珍藏!
http://spinmill.spaces.live.com/blog/cns&#...ignin1.0

Amazon.com
Haydn's large-scale "Paris" Symphonies have had many fine performances on CD, both singly and in sets, including Leonard Bernstein's vigorous version for Sony. But Harnoncourt's is as good as any and better, far better, than virtually all the competition. His interpretations dance with energy and pointed rhythms, teem with details often left unheard elsewhere, and display tempos that always seem inevitable and right. He exploits Haydn's humor to great effect in the finale of the "Poule" Symphony (No. 83) and brings out the ingenuity and variety of Haydn's fertile imagination. Harnoncourt also observes all repeats, which add to the stature of the works by expanding their size, scope, and grandeur. Not least among the set's many attractions is the playing of the Concentus Musicus Wien, worlds away from their raw-sounding early explorations of the Baroque. Here, their polished playing is full of marvelous wind solos, brilliant brass, and cutting horns to go with the fine strings. Haydn would have loved this set! --Dan Davis

资源来自eMule搜索,感谢原发布者(APE+CUE+LOG+扫图)



专辑曲目

01.Symphony No. 82 in C major ("The Bear"), H. 1/82
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

02.Symphony No. 83 in G minor ("The Hen"), H. 1/83
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

03.Symphony No. 84 in E flat major ("In Nomine Domini"), H. 1/84
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

04.Symphony No. 85 in B flat major ("La Reine"), H. 1/85
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

05.Symphony No. 86 in D major, H. 1/86
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

06.Symphony No. 87 in A major, H. 1/87
Composed by Franz Joseph Haydn
Performed by Vienna Concentus Musicus
Conducted by Nikolaus Harnoncourt

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