中文名称：古尔德完全典藏纪念大全集
英文名称：Glenn Gould, The Complete Original Jacket Collection
资源类型：APE
版本：6.10发布CD64海顿最后六首钢琴奏鸣曲（2CD）
发行时间：2007年
专辑歌手：格伦·古尔德 Glenn Gould
地区：美国
简介：


专辑介绍:

古尔德完全典藏纪念大全集（80 CD）

该系列一共80张CD。收录了钢琴家格伦·古尔德在哥伦比亚公司的所有LP录音。与以前SONY出过的Glenn Gould Edition所不同的是，这套全集少了一些不是在LP上首发的以及一些现场录音，但是多了一些珍贵的钢琴家的访谈录音。
这套全集每张CD都用原版LP转录，并以LP的封面作为CD封面，非常具有收藏价值。由于无法找到每张CD的封面图片，所以在这里无法与大家共享。各张CD的介绍为专辑里的小册子中所附的短文，在下翻译水平有限，还望包涵。
本系列计划用一年的时间全部发布完毕，希望大家多多支持，帮助分流，谢谢。如果有什么问题以及建议，欢迎大家通过论坛短消息或者以下方式联系我：

邮箱及MSN：zhiqiuye@hotmail.com
QQ56168223

CD01 - 哥德堡变奏曲（1955年版）

The Birth of a Legend: Gould’s first recording for Columbia, playing Bach as if someone had parted the curtains and thrown open the windows in a dark, stuffy room. The critics were ecstatic; the release broke all records and is still considered one of the ten most significant and successful classical recordings of all time.

一个传奇的诞生：这是古尔德在哥伦比亚公司的第一个录音。他演奏的巴赫仿佛有人在一个阴暗沉闷的房间里猛然拉开了窗帘，推开紧闭的窗户一样。评论家为之欣喜若狂；这张唱片打破了所有的纪录，直到如今仍然被认为是有史以来最杰出、最成功的十大录音之一。


专辑曲目：

Total Time: 38:23

Johann Sebastian Bach
1-32.Goldberg Variations, BWV 988
Recording: Columbia 30th Street Studio, New York City, USA, June 10, 14-16, 1955

Piano Glenn Gould


CD 02 - 贝多芬最后三首奏鸣曲

Sensation yields to scandal: Gould’s feisty and headstrong treatment of the final triptych in Beethoven’s pianistic “New Testament” outrage the critics no less than his sleeve notes, in which he claimed of op. 111 that “the piece is weak in spots; it needs greater speed. Especially the first movement is such a bad piece that I wanted to get on to the finale.”

轰动终究屈服于毁谤：古尔德对贝多芬的钢琴”新约全书“的最后三首作品生猛而反叛的演绎，同他为之撰写的唱片说明一样，让乐评家怒不可遏。他将作品111号形容为：”缺乏重点，速度也太慢。特别是第一乐章，破烂得让我直想直接进入末乐章。“


专辑曲目：

Total Time: 55:32

Ludwig van Beethoven
1-3.Sonata No. 30 in E Major, Op. 109
Recording: Columbia 30th Street Studio, New York City, USA, June 28 & 29, 1956
4-6.Sonata No. 31 in A-flat Major, Op. 110
Recording: Columbia 30th Street Studio, New York City, USA, June 26 & 27, 1956
7-8.Sonata No. 32 in C minor, Op. 111
Recording: Columbia 30th Street Studio, New York City, USA, June 20, 21 & 25, 1956

Piano Glenn Gould


CD 03 - 贝多芬第二钢琴协奏曲、巴赫第一钢琴协奏曲

CD 03 - Beethoven, Piano Concerto No. 2 & Bach, Piano Concerto No. 1

Gould’s first recording with orchestra, and his first studio collaboration with Leonard Bernstein, fourteen years his senior. “During the first portion of the concerto, Mr. Gould slid out from behind the piano and loped casually about the hall. He shook his head, waved his arms, beat time, and acted generally in a manner that any conductor less accustomed to the ways of genius might have found trying in the extreme. Bernstein took no notice.

这是古尔德第一此与乐队合作的录音，也是他与年长他十四岁的指挥家列奥纳多·伯恩斯坦在录音室里的首次合作。“在协奏曲的第一部分，古尔德从钢琴后溜了出来，在音乐厅里悠闲地迈着大步。他摇晃着脑袋，挥舞手臂打着节拍。或许任何一位指挥家，只要不是对于天才的这种举动见惯不惊的人，都早已忍无可忍。然而，伯恩斯坦竟视若不见。”


专辑曲目：

Total Time: 51:48

Ludwig van Beethoven
1-3.Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19
Recording: Columbia 30th Street Studio, New York City, USA, April 9-11, 1957; Mono

Johann Sebastian Bach
4-6.Keyboard Concerto No. 1 in D Minor, BWV 1052
Recording: Columbia 30th Street Studio, New York City, USA, April 11 & 30 1957

Conductor Leonard Bernstein
Piano Glenn Gould
Performer Columbia Symphony Orchestra


CD 04 - 巴赫第五及第六帕蒂塔

CD 04 - Bach, Piano Partitas Nos. 5 & 6

The Fifth Partita was “the worst Bach recording I’ve ever made. It was also the most pianistic. It was perhaps the one that the connoisseur of the piano would like best. It’s the one I like least because it’s least Bach, it’s least mevis-a-vis Bach in any case; it’s full of all sorts of dynamic hang-ups, it’s full of crescendo and diminuendi that have no part in the structure, in the skeleton of that music.” Serious or tongue-in-cheek, who can tell?

第五帕蒂塔是“我最糟的巴赫录音，同时它也是最钢琴化的一个。或许钢琴学者最喜欢的便是这样的录音，而这却是我最不喜欢的因为它最不像巴赫，最没有巴赫的风格；充斥者各式各样的色彩变化以及毫无结构性的渐强和渐弱。”这究竟只是古尔德的玩笑还是严肃的评论，谁知道呢？


专辑曲目：

Total Time: 40:24

Johann Sebastian Bach
1-7.Partita No. 5 in G Major, BWV 829
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
8. Fugue in F-Sharp Minor, BWV 883 (from The Well-Tempered Clavier, Book II)
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
9. Fugue in E Major, BWV 878 (from The Well-Tempered Clavier, Book II)
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
10-16.Partita No. 6 in E Minor, BWV 830
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957

Piano Glenn Gould


CD 05 - 海顿及莫扎特钢琴奏鸣曲

CD 05 - Haydn & Mozart, Piano Sonatas

Gould later re-recorded both sonatas (see Nos. 40 and 64a). The comparison is shocking, especially in the case of K. 330: the earlier recordings almost five mintes longer! "I think the two versions simply reflect the different pulse rates I had when I played them at the sessions." Mozart's Fantasy and Fugue, in contrast, remained unique: Gould never turned to it again.

古尔德后来重新录制了这两首奏鸣曲（见CD40及CD64a）。其对比是非常鲜明的，特别是在作品K.330里，较早的录音比后来的整整长了将近五分钟。“我认为这两个版本只是反映了我两次录音时不同的脉搏而已。”莫扎特的幻想曲与赋格的录音相比之下显得独特，因为古尔德再也没有录制过这个作品。


专辑曲目：

Total Time: 43:21

Joseph Haydn
1-3.Sonata No. 59 in E-flat Major, Hob.XVI: 49
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958

Wolfgang Amadeus Mozart
4-6.Piano Sonata No. 10 in C Major, K. 330
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958
7-8.Fantasia (Prelude) and Fugue for Piano in C Major, K.394
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958

Piano Glenn Gould


CD 06 - 贝多芬第一与巴赫第五钢琴协奏曲

CD 06 - Beethoven Piano Concerto No. 1 & Bach Piano Concerto No. 5

Instead of Leonard Bernstein, the Columbia Symphony Orchestra was fronted this time by Vladimir Golschmann. Born in Paris to Russian emigres in 1893 and head of the St. Louis Symphony Orchestra from 1931, Golschmann was one of the few conductors with whom Gould apparently never had problems, and vice versa. In the Beethoven concerto Gould played his own cadenza - with a noticeable nod to Max Reger...

在这个录音里，弗拉基米尔·戈诗曼执棒哥伦比亚交响乐团，而不是以往的列奥纳多·伯恩斯坦。戈诗曼1893年出生于巴黎，并从1931年开始领导圣路易斯交响乐团。他是少数几个与古尔德合作却没有发生任何摩擦的指挥家之一。在贝多芬协奏曲里，古尔德演奏了他自己写的华彩段落，带有明显的雷格尔的色彩。


专辑曲目：

Total Time: 44:21

Ludwig van Beethoven
1-3.Concerto No. 1 for Piano and Orchestra in C Major, Op. 15
Recording: Columbia 30th Street Studio, New York City, USA, April 29 & 30; July 1, 1958
Cadenza Glenn Gould

Conductor Vladimir Golschmann
Piano Glenn Gould
Performer Columbia Symphony Orchestra

Johann Sebastian Bach
4-6.Concerto No. 5 for Piano and Orchestra in F Minor, BWV 1056
Recording: Columbia 30th Street Studio, New York City, USA, May 1, 1958

Conductor Vladimir Golschmann
Piano Glenn Gould
Performer Columbia Symphony Orchestra
Violin Charles Libove


CD 07 - 贝尔格、勋伯格和克热内克钢琴作品

CD 07 - Berg, Krenek & Schoenberg Piano Works

Gould's first Columbia recording of twentieth-century music, though he had already recorded the Berg Sonata for the Canadian Hallmark label in 1951 - his very first commercial recording. Krenek's obscure Third Sonata cropped up time and again in Gould's recitals, including his last public appearance on 10 April 1964 in Los Angeles.

这是古尔德在哥伦比亚公司的录制的第一个二十世纪音乐作品的录音。在此之前，他于1951年为加拿大霍曼公司录制了贝尔格的钢琴奏鸣曲，也是他真正意义上的第一个商业录音。克热内克阴暗的第三奏鸣曲是古尔德演出的保留曲目，在他1964年4月10日在洛杉矶举行的最后一次公开演奏会上也弹奏了这首曲子。


专辑曲目：

Total Time: 47:57

Alban Berg
1. Piano Sonata No. 1
Recording: Columbia 30th Street Studio, New York City, USA, July 1, 1958; Mono

Arnold Schoenberg
2-4.Drei Klavierstücke Op. 11
Recording: Columbia 30th Street Studio, New York City, USA, June 30 & July 1, 1958

Ernst Krenek
5-8.Sonata for Piano No. 3, Op. 92 No. 4
Recording: Columbia 30th Street Studio, New York City, USA , July 1, 1958; Mono

Piano Glenn Gould


CD 08 - 贝多芬第三钢琴协奏曲

CD 08 - Beethoven, Piano Concerto No. 3

By now the critics had evidently made their peace with Gould's wayward readings of Beethoven. His recording of the C-minor concerto, again with Leonard Bernstein, met with general approval, even if Gould "yields more to his own nature than he shoud in the Largo" and "meanders and rhapsodizes without thinking that this movement, too, is by Beethoven."

在这里，评论家很显然对古尔德在贝多芬作品上任性的诠释保持了友好的态度。即使古尔德“在广板乐章里过多的发挥了他的个性”并且“随意的表现闲散和狂想的情绪而丝毫不顾忌这是贝多芬的乐章”，但是他和伯恩斯坦录制的C小调协奏曲仍然获得了广泛的认同。


专辑曲目：

Total Time: 37:32

Ludwig van Beethoven
1-3.Concerto No. 3 in C Minor for Piano and Orchestra, Op. 37
Recording: Columbia 30th Street Studio, New York City, USA, May 4, 5 & 8, 1959

Conductor Leonard Bernstein
Piano Glenn Gould
Performer Columbia Symphony Orchestra


CD 09 - 古尔德弦乐四重奏，作品1号

CD 09 - Gould, String Quartet, Op. 1

Gould's posthumous "legacy" in the National Library of Canada includes seven boxes of compositions. Apart from this great Opus 1, most are brief and usually unfinished essays:"They exhibit attempts at every style from Palestrina (which was done to please my teachers) to Schoenberg (whiche was done to annoy them)". The style of the quartet reflects Gould's love for Bruckner, Wagner, and Richard Strauss.

加拿大国立图书馆收藏的古尔德遗作装了整整七个箱子。除了这首著名的作品1号，大多数都是简短的片段：“它们体现了对不同风格的尝试，从帕莱斯特里那风格（用来取悦于我的老师们）一直到勋伯格（作为惹恼老师的作品）”。这首四重奏的风格揭示了古尔德对布鲁克纳、瓦格纳和理查斯特劳斯的喜爱。


专辑曲目：

Total Time: 36:12

Glenn Gould
1. String Quartet, Op. 1 (recorded under the supervision of the composer)
Recording: Severance Hall, Cleveland, Ohio, USA, March 13, 1960

Performer Symphonia Quartet


CD 10 - 巴赫意大利协奏曲及第一、二帕蒂塔

CD 10 - Bach, Italian Concerto & Piano Partitas Nos. 1 & 2

Gould's tenth recording for columbia was accompanied by a two-part film portrait entitled Off the Record / On the Record - a sure indication of the star status he had by now attained. He was considered "music's most successful hipster" and "the object of a sort of James Dean cult" - perhaps classical music's first pop star. For the time being he still played along with the media hype...

古尔德在哥伦比亚公司的第十次录音伴随着一部二段式的电影，名为“录音之外 / 录音之内”——明确的暗示了古尔德在当时获得的明星地位。他被认为是“音乐界最成功的时尚者”和“像詹姆斯迪恩那样拥有众多的狂热崇拜者”——也许他是古典音乐节的第一位流行明星。他当下仍然在媒体的大肆宣传下演奏……


专辑曲目：

Total Time: 40:05

Johann Sebastian Bach
1-3.Italian Concerto in F Major, BWV 971
Recording: Columbia 30th Street Studio, New York City, USA, June 22-26, 1959
4-9.Partita No. 1 in B-flat Major, BWV 825
Recording: Columbia 30th Street Studio, New York City, USA, May 1 & 8; September 22, 1959
10-15.Partita No. 2 in C Minor, BWV 826
Recording: Columbia 30th Street Studio, New York City, USA, June 22 & 23, 1959

Piano Glenn Gould


CD 11 - 勃拉姆斯10首间奏曲

CD 11 - Brahms, 10 Intermezzi

Gould was proder of this recording than almost any other: "It's the sexiest interpretation of Brahms's Intermezzi you 've ever heard - and I really think it is perhaps the best piano playing I have done. You know what an incurable romantic I am anyway."

古尔德本人对这个录音比其他任何录音都拥有更多的自豪感：“它是你所听过的最性感的勃拉姆斯作品的演绎——我真心的认为这是我最好的钢琴录音。从中你可以知道我是一个多么无可救药的浪漫主义者。”


专辑曲目：

Total Time: 41:56

Johannes Brahms
1. Intermezzo No. 1 in E-flat Major, Op. 117 - Andante moderato 5:39
Recording: Columbia 30th Street Studio, New York City, USA, September 29, 1960
2. Intermezzo No. 2 in B-Flat Minor, Op. 117 - Andante non troppo e con molta espressione 5:27
Recording: Columbia 30th Street Studio, New York City, USA, September 29, 1960
3. Intermezzo No. 3 in C-Sharp Minor, Op. 117 - Andante con moto 5:18
Recording: Columbia 30th Street Studio, New York City, USA, September 30, 1960
4. Intermezzo No. 6 in E-Flat Minor, Op. 118 - Andante, largo e mesto 5:59
Recording: Columbia 30th Street Studio, New York City, USA, September 29, 1960
5. Intermezzo No. 4 in E Major, Op. 116 - Adagio 4:18
Recording: Columbia 30th Street Studio, New York City, USA, November 21, 1960
6. Intermezzo No. 7 in A Minor, Op. 76 - Moderato semplice 3:55
Recording: Columbia 30th Street Studio, New York City, USA, November 21, 1960
7. Intermezzo No. 6 in A Major, Op. 76 - Andante con moto 2:10
Recording: Columbia 30th Street Studio, New York City, USA, November 21, 1960
8. Intermezzo No. 1 in B Minor, Op. 119 - Adagio 2:22
Recording: Columbia 30th Street Studio, New York City, USA, November 21, 1960
9. Intermezzo No. 1 in A Minor, Op. 118 - Allegro non assai, ma molto appassionato 1:03
Recording: Columbia 30th Street Studio, New York City, USA, November 23, 1960
10. Intermezzo No. 2 in A Major, Op. 118 - Andante teneramente 5:45
Recording: Columbia 30th Street Studio, New York City, USA, September 30, 1960

Piano Glenn Gould


CD 12 - 贝多芬第四钢琴协奏曲

CD 12 - Beethoven, Piano Concerto No. 4

This was the concerto with which Gould gave his orchestral debut, playing its first movement on 8 May 1946. “Who does the kid think he is, Artur Schnabel?" snorted one critic, while another touted the thirteen-year-old boy as a "genius". Whatever the case, this was the Beethoven concerto he played most frequently in public - twenty-nine times.

古尔德在1946年5月8日时第一次与乐队合作演出就是演奏的这首协奏曲。曾经有评论家对此嗤之以鼻：“这毛孩以为他自己是谁？施纳贝尔？”然而，与此同时，另一位则将古尔德捧为“天才”。不管怎么样，这是古尔德公开演出次数最多的贝多芬协奏曲——足足有29次。


专辑曲目：

Total Time: 36:49

Ludwig van Beethoven
1-3.Concerto No. 4 in G Major for Piano and Orchestra, Op. 58
Recording: Manhattan Center, New York City, USA, March 20, 1961

Conductor Leonard Bernstein
Piano Glenn Gould
Performer New York Philharmonic


CD 13 - 巴赫赋格的艺术第一辑，赋格1-9

CD 13 - Bach, The Art of the Fugue, Volume I, Fugues 1-9

"Gould's approach seems downright unmusical, and the image it evokes for me is of the trained seal who beeps out God Save the Queen on a set of car horns." Thus the miffed critic John Beckwith.It was to remain Gould's ony commercial recording on the organ; the remaining items in The Art of the Fugue are absent from his discography, as are the six Mendelssohn organ sonatas he intended to record afterwards.

”古尔德的处理仿佛是公然藐视作品的音乐性，在我看来就好像一直训练有素的海豹在一连串的汽车喇叭上摆弄出《上帝保佑女王》的旋律一样“，批评家约翰·贝克维怒斥道。而这恰恰是古尔德唯一的管风琴录音；《赋格的艺术》这部作品剩余的部分他却再也没有录制。他曾经打算录制门德尔松的六首管风琴奏鸣曲，最终也未付诸行动。


专辑曲目：

Total Time: 31:51

Johann Sebastian Bach
1-9.The Art of the Fugue, BWV 1080, Volume I, Fugues 1-9
Recording: All Saints' Anglican Church, Toronto, Canada, January 31; February 1, 2, 4 & 21, 1962

Organ Glenn Gould


CD 14 - 莫扎特与勋伯格钢琴协奏曲

CD 14 - Mozart & Schoenberg, Piano Concertos

The very combination of these two concertos was willful, still more Gould's playing of Mozart, with its extra embellishments and even new counter-melodies in the piano part. What seemed revolutionary at the time has become a matter of course in today's age of "historical performance practice." In contrast, the Schoenberg Concerto sounded, in Gould's hands, almost as familiar as Mozart.

这两首协奏曲的搭配显得非常任性。古尔德式的莫扎特演奏增加了许多钢琴部分本来没有的装饰音和新的复调旋律。在在当时具有革命意义的”历史性的演奏尝试“在今天看来已经见惯不惊。相反，勋伯格的协奏曲在古尔德的手下变得如同莫扎特一样的熟悉而平和。


专辑曲目：

Total Time: 51:25

Wolfgang Amadeus Mozart
1-3.Concerto for Piano and Orchestra No. 24 in C Minor, K.491
Recording: Massey Hall, Toronto, Canada, USA, January 17, 1961

Arnold Schoenberg
4-7.Concerto for Piano and Orchestra, Op. 42
Recording: Massey Hall, Toronto, Canada, January 21, 1961

Conductor Walter Susskind
Piano Glenn Gould
Performer CBC Symphony Orchestra

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我的其他资源：
《钢琴大师珍稀历史录音系列》
《霍洛维茨大全集》
《俄罗斯传奇录音系列》