多谢LZ
网友评论：Sir Edward Elgar -《谜语变奏曲/威风堂堂进行曲第1-5乐章》(Enigma Variations, Pomp & Circumstance Marches Nos. 1-5)[APE]
wangzhihaow
2008/12/20 20:58:18 5楼
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shostakovichs
2009/02/02 22:10:11 6楼
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firefly587
2011/10/12 21:05:21 13楼
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这是没有收录的第六首威风凛凛进行曲的介绍
March No. 6 in G minor
[edit] History
Elgar left sketches for a sixth Pomp and Circumstance march, to be the final work in the set. In 2005, these were sent by the lawyer for the Elgar Will Trust in a bundle to English composer Anthony Payne. Also included was an article titled "Circumstantial Evidence" by Elgar authority Christopher Kent from the August 1997 in the Musical Times explaining the sketches. One idea in the sketches was helpfully marked by the composer "jolly good". Kent believed that Elgar’s compositional thoughts and time were by then engaged with the Third Symphony and The Spanish Lady, and that the main theme for the march was "unpromising".
Payne determined there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar’s handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne noted in the program notes that "Nowhere else in the Pomp and Circumstance marches does Elgar combine compound and duple metres in this way". Payne concluded the piece with a brief allusion to the first Pomp and Circumstance March.
The world premiere was on August 2, 2006 with Andrew Davis conducting the BBC Symphony Orchestra at The Proms at Royal Albert Hall. The first recording was by the BBC National Orchestra of Wales under Richard Hickox.
[edit] Instrumentation
The instrumentation is: piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in B♭, bass clarinet in B♭, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B♭, 3 trombones, tuba, timpani (4), percussion (side drum, cymbals, bass drum, jingles, glockenspiel), and strings.
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sibelius
2007/12/28 11:47:19 1楼
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谢谢楼主