Esa-Pekka Salonen -《林德伯格：大提琴协奏曲等》(Lindberg Cello Concerto,etc.)Philharmonia SONY[APE]

专辑介绍：

Magnus Lindberg (born June 27, 1958) is a Finnish composer.

Lindberg was born in Helsinki. He studied at the Sibelius Academy in Helsinki under Einojuhani Rautavaara and Paavo Heininen, beginning with piano.

He attended summer courses in Siena (with Franco Donatoni) and Darmstadt (with Brian Ferneyhough). After graduating from the Sibelius Academy in 1981 he travelled widely in Europe, attending private studies with Vinko Globokar and Gérard Grisey in Paris, and observing Japanese drumming and punk rock in Berlin.

While at 16 Lindberg wrote a large orchestral work called Donor, this was considered impossible to perform, and several subsequent works were considered juvenalia. Quintetto dell’Estate (1979) is generally held to be Lindberg's first opus. His first piece performed by a professional orchestra was Sculpture II in 1982, the second part of a trilogy whose first and third sections were long unwritten. His first great success came with "Action-Situation-Signification" (1982), the first work in which he explored musique concrète. This piece was written for and premiered by the new-music ensemble Toimii ("It Works" in the Finnish language), which Lindberg founded during the summer of 1980. Lindberg is a trained pianist and has performed several of his works as part of Toimii.

Kraft (1983-85), another piece written for Toimii, was Lindberg's largest work to date, with harmonies of over 70 notes and a meter-high score. It uses not only traditional instrumentation, but percussion on scrap metal and spoken word. Lindberg found this large work difficult to follow, and with the exception of 1986's Ur, which he called "Kraft in chamber form", he entered an extensive creative hiatus which was to last for over two years. During this time he was not only rethinking his style, but also recovering from a tropical disease contracted during travels in Indonesia.

Kraft made use of a chaconne-type structure where the progression of the piece is based on a repeated chain of chords. It was this idea that served as the basis for Lindberg's next style. He returned with an orchestral trilogy consisting of Kinetics (1988), Marea (1989-90) and Joy (1990). Though Lindberg became less interested in electronic manipulation of sound, he still explored the possibilities of compositional software, and Engine displays complex counterpoint generated by computer.

Among the many prizes his music has won are the Prix Italia (1986), the UNESCO Rostrum (1986), the Nordic Music Prize (1988) for Kraft, and the Royal Philharmonic Society Prize for large-scale composition (1992).
http://www.magnuslindberg.net/
http://en.wikipedia.org/wiki/Magnus_Lindberg
http://www.fimic.fi/fimic/fimic.nsf/mainfr...00261220

爱乐乐团（Philharmonia Orchestra）这是1945年，由EMI公司录音经理沃达·雷格，当做演奏录音专用的乐团组织而成的，训练工作由当时因纳粹夺政，逃亡在英国的卡拉扬担任，结果在很短的时间内，就培育成世界第一流的管弦乐团。这段时间，不单从事唱片录音，而且也开始公开演奏，等到卡拉扬就任首席指挥后，该团声誉，与日俱增。

1957年，卡拉扬辞退后，由德国大指挥家克莱姆佩雷尔接棒。不料，1964年雷格离开公司后，这个乐团就被EMI一脚踢开，断绝了一切的经济援助。可是在克莱姆佩雷尔领导下，终于越过艰难的时期，成为自主经营的乐团，自此重新出发后，也把团名改为“新爱乐管弦乐团”(New Philharmonia Orchestra)，由克雷姆佩雷尔担任名誉会长兼首席指挥。
1971年，马泽尔被聘为首席客座指挥，可是1973年克雷姆佩雷尔去世后，他也离去了。从1973年起，迎聘意大利指挥家慕蒂，接任首席指挥之职，慕蒂工作的非常卖力，试图重拾昔日荣耀。出人意外地，1978年，这个乐团又突然宣布，把“新”去掉，再更改为原来的“爱乐管弦乐团”。
（林逸聪编撰《音乐圣经》华夏出版社）



转发。eMule搜索。感谢原发。
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1.Cantigas, for orchestra
2.Cello Concerto
3.Parada, for orchestra
4.Fresco, for orchestra