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Luke Haines -《Luke Haines Is Dead》BOX SET[MP3!]

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  • 摘要:
    发行时间2005年
    地区英国
    语言英语
  • 时间: 2007/08/09 13:08:30 发布 | 2007/08/09 14:50:36 更新
  • 分类: 音乐  欧美音乐 

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专辑中文名Luke Haines Is Dead
歌手Luke Haines
资源格式MP3
版本BOX SET
发行时间2005年
地区英国
语言英语
简介

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专辑介绍:

深海下蕴藏着无穷的宝藏,因为那里暂时还是多数人类的禁区。黑暗、极压、一切未知的危险只能阻挡一时,贪婪的脚步从未停滞。带鱼、鲳鱼、黄鱼、毛虾位于浅海,够体贴渔者的辛苦,亲身出没鱼网,不然也决计成不了大众海产。人民听多了Oasis、 Blur、Pulp、Coldplay就想尝个新鲜,市场需求,金钱诱惑,渔者的精气神像氢气球,一飞冲天。Radiohead、Mansun、 Suede辈应运上市,可人民的嘴巴也不会轻易就被螃蟹、龙虾、象鼻蚌之类的美味就搪塞了。有向鲍鱼、鱼翅挺进的,更有挖掘深海美味的。只不过,来自深海的各位恶劣环境生活惯了不似浅海同胞那般有亲和力,价格是天上人间,美味却是空中楼阁,郁闷了嘀咕几句,说不定它还朝你瞪瞪——“您啊,爱买不买”!

Luke Haines就是这副深海珍宝的德行,似那蜷缩在昏暗的剑客,萎靡不振而孔武有力,怯弱无能而又充满了英雄气概,宛如颗诡异不详之星辰,挥散着无尽的黑光幻彩。你可以击倒他。但别指望他会服输,尽管他也曾妥协,尽管下场也还是这般凄离。我几乎忘记他,却记得他风里荡漾;我确实忘记他还会创作,却被告知他发新碟的消息,于是又一场逝水年华追悼会的悲切中,我陷入沼泽。

自Morrissey(下简为Moz)之后,桂冠诗人型的音乐刺头天才在英伦就罕见了, Luke Haines适时地填补了这个空缺。尽管Luke在唱腔上偏重猥琐下流的路线和Moz最纯粹的翩翩雅致肉嗓有点出入,但我很愿意把他归为Moz高举人文审美的嫡系一脉,因为他的这种继承不仅限于歌曲表层各方位,更是精神上的,要比某某拖个长音学个Moz唱腔来得更具有说服力,尽管他没被某某杂志标榜为 The Smiths接班人,更鲜有人提及此种看法。甚至某种程度上,Luke Haines在音乐上的才华是完全超越Moz的。在创作上,Moz只是一个音乐感觉很好的文人,文人的尖酸刻薄、睥睨于世都渗透在他歌词的字里行间以及平时的处事为人,尴尬的是由于不会任何乐器与曲创作,他能够操控的只是音乐感官的宏观取向,往往被动地被partner的变更牵着鼻子走。Luke Haines决不会有这样的尴尬,对一个独裁者而言,尴尬往往是自己过于接近完美而使得合作者的才华无用武之地,俨然成为了独裁者宏伟神像下的陪衬人。如果说,把包办歌词创作和演唱的Moz比作是走Hi-Fi发烧路线的CD唱机,把打包曲创作、编曲、乐器演奏的Johnny Marr视为相匹配下的音响系统其他部件;那Luke Haines就像一台优质的组合音响。黑暗中你能感受到Luke Haines双瞳的闪耀,左眼相较微弱之光芒,射向Johnny Marr,右眼炯炯寻找到了Moz。

一套3CD,63首歌曲的大包裹,《Luke Haines is dead》就这样插在Luke Haines的音乐冢上。这已经是近3年来,他第2次出精选专辑掩饰新世纪后自身创作上的衰竭。上作《Das Capital》以Chamber-pop的方式重新演绎往日名作,有想法却以破坏经典韵味为代价,不过是次毁誉参半的尝试。至于此番,显然是卸甲归田前,赚点生活费养老的的最后搏杀。我很难想象如果再无新作问世的话,他还有什么资本诱惑歌迷来买他的唱片,当然若是他厚脸弄个打包职业生涯全数作品的 Box-set我也无话可说,非乖乖掏钱投降不可。但话又说回来,这套《Luke Haines is dead》的意义还真非同一般。除去了他向商业低头的Project——“Black Box Recorder”时期的任何作品,这套合辑囊括了The Auteurs的4张专辑、个人Solo名义的两张专辑、Baader Meinhof这个One-off Project唯一专辑3大类的大半作品。而最为关键的还在于它们决非单纯的精选,大半数为未发表、B-sides, BBC Sessions版本作品的入选使《Luke Haines is dead》更像是次对沧海遗珠的亡羊补牢。

按作品时间排列,CD1、2中相继收入了The Auteurs《New Wave》、《Now I'm a Cowboy》、《After Murder Park》这三张专辑时期的作品。《New Wave》是Luke Haines最高的杰作。结合了许多80年代中后期Classic-pop,Indie-pop的特质,大量采用Acoustic Guitar编制纤细爽脆的吉他节奏网路,期间甚至还有散花式键琴玲珑剔透的声效装潢,搭配Neo Glam-Rock标志性的连绵电吉他扭曲为音乐整体架构充当部分绝妙的配角。这种概念下的成果是甚为神奇的,听着Luke Haines猥亵忸怩唱着那些故事,耳旁响起的却是缤纷多彩、雅致曼妙的复古情怀,有时候整个人会找不到北,分不清孰是天使孰是撒旦。只可惜这种理念很快就被Suede卷起的Neo-Glam大热的假象冲散,《Now I'm a Cowboy》中Neo-Glam的气息粗砺了许多,即使大提琴手James Banbury转正,在歌曲中频频出手也只是化去些须戾气。然后在Steve Albini(著名美式Grunge制作人)的添油加醋下,《After Murder Park》达到了这种趋势的顶点。可是即便遭受如此摧残,作品的英式韵味就像英国口音一样保留着,而Luke Haines笔下的旋律也依旧散发着隽永迷人的魅力(如果你能耐住粗砺),这段时期The Auteurs的歌曲虽是可怕的慢热,可一但听多顺耳了便会显得耐听无比。在CD3中,收入的是Luke Haines彷徨年代的作品。The Auteurs的叫好不叫座对于一个音乐家生活压力下自尊的化学作用是难以揣摩的,一度Luke Haines甚至剑走偏锋,化身为Baader Meinhof的那张同名专辑便是把曲高和寡进行到一个极端的产物。至于此后的Black Box Recorder,是另一个极端,向着流行市场略微的妥协就有饭吃,用妥协来养活自己其他领域的尊严。再后来The Auteurs名义的第4张专辑《How I Learned to Love the Bootboys》以及个人专辑《Christie Malry's Own Double Entry》、《The Oliver Twist Manifesto》终于形成了Luke Haines音乐的最终态——略带电子音乐倾向的吉他流行曲式,悠扬常青的旋律。好听而不失品位是一个不错的折衷,只可惜挣扎的代价是当你恍然之后却发现自己再无能力创作。 最后要多罗嗦一句,勿须担心听到的只是熟悉的旋律,在《Luke Haines is dead》即使是熟悉的也会变的很陌生。

中文介绍转自 王莫之:Luke Haines——深海的黑魅影者


"Seminal music genre...featured Menswear and Thurman...Ooh, don't get me started...Changed your life, didn't it? Cast at the Dublin Castle, tracksuit tops, Paul Weller back on top. Best days of my f**king life...All of which fails to explain why you mongs forgot to vote for me in the readers' poll. Can't-f**king-read-ers poll, more like. Wankers." And with that, an extract from an ad placed in the March 1997 issue of Select (right next to the month's Bangin' or Bollox feature), Luke Haines' rocky relationship with Brit-pop -- a movement into which he was agonizingly shoehorned -- is tidily summarized. Let's be real: "Taking out the garbage at the Columbia Hotel/Nobody got a ticket out of cripple town" isn't nearly as memorable as "Slowly walking down the hall/Faster than a cannonball," and a song is more likely to have broad appeal when it's about rioting in the partying sense -- as opposed to an actual riot or a homicidal act or the start of a political party bent on hating the working class. While a typical Haines song is full of hooks and loud guitars, it also comes with a voice that has been compared to Rod Stewart and Micky Dolenz. (It's certain that neither Haines' mom nor Steve Albini have ever heard Giorgio Moroder's version of "Knights in White Satin.") More importantly, not many people are born with the disposition of a 60-year-old crank, and those who do come out that way tend not to be big music fans. In Luke Haines Is Dead, Haines' relatively harmonious relationship with his back catalog is weightily summarized as a chronologically sequenced three-disc box. It roughly amounts to an album's worth of B-sides, an album's worth of radio sessions and live material, and an album's worth of outtakes and alternate versions. Spanning 1992 through 2004, it covers Haines' Hut years with the Auteurs, the Baader Meinhof one-off, and the solo albums. Though it's clearly the devout following who will benefit most, there are some scattered album highlights as well, which help gauge the quality of the B-sides -- they range from good to spectacular. "Glad to Be Gone," from 1992, churns and seethes, pointing toward the irascible matter that would dominate 1996's After Murder Park; 1999's "Get Wrecked at Home," as sparse as anything off the first Black Box Recorder album, is both touching and amusing (he phrases "Is he as mean as me?" the way a heartbroken balladeer would witheringly ask, "Is he as good in bed as me?"). The tracks recorded for the BBC are either remarkably different from or superior to the album versions: "After Murder Park"'s snaps and tugs are more effective without the electric guitar of the original, while "The Upper Classes" makes the Now I'm a Cowboy version sound more like a demo. The outtakes aren't bad, either. Haines provides historical liner notes and has Paul Morley contribute some additional text. Both men are in top form.


http://cimg.163.com/ent/2005/7/27/20050727171958d41d8.jpg



专辑曲目

Disc: 1
01. Capital Overture - Luke Haines,
02. Bailed Out
03. Showgirl
04. Glad to Be Gone
05. Staying Power
06. Junk Shop Clothes
07. She Might Take a Train
08. Subculture
09. Government Bookstore
10. Housebreaker
11. Valet Parking
12. How Could I Be Wrong
13. Starstruck
14. Home Again
15. American Guitars
16. Wedding Day
17. High Diving Horses
18. Lenny Valentino
19. Disneyworld
20. I'm a Rich Man's Toy

Disc: 2
01. Upper Classes
02. Everything You Say Will Destroy You
03. Sister Like You
04. Underground Movies
05. Brainchild
06. Chinese Bakery
07. Modern History
08. New French Girlfriend
09. Light Aircraft on Fire
10. Carcrash
11. X Boogieman
12. New Brat in Town [#]
13. Tombstone [#]
14. Back with the Killer (Again)
15. Unsolved Child Murder
16. Former Fan
17. Kenneth Anger's Bad Dream
18. Kids' Issue
19. New Life, a New Family
20. Buddha
21. After Murder Park

Disc: 3
01. Baader Meinhof - Baader Meinhof, Luke Haines
02. Meet Me at the Airport - Baader Meinhof, Luke Haines
03. I've Been a Fool for You - Baader Meinhof, Luke Haines
04. Accident [Fuse Mix] - Baader Meinhof, Luke Haines
05. Mogadishu [Dalai Lama Remix] - Baader Meinhof, Luke Haines
06. ESP Kids
07. Future Generation
08. Politic [#]
09. Johnny and the Hurricanes [#]
10. Rubettes
11. Breaking Up Is Hard to Do
12. Get Wrecked at Home
13. Essex Bootboys [#]
14. Discomania [#] - Luke Haines
15. Couple Dancing [#] - Luke Haines
16. How to Hate the Working Classes - Luke Haines
17. Oliver Twist Manifesto [#] - Luke Haines
18. Never Work - Luke Haines
19. Skin Tight [#] - Luke Haines
20. Satan Wants Me - Luke Haines,
21. Mitford Sisters - Luke Haines,
22. Bugger Bognor - Luke Haines,


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