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Baader Meinhof -《Baader Meinhof》[MP3!]

  • 状态: 精华资源
  • 摘要:
    发行时间1996年
    地区英国
    语言英语
  • 时间: 2007/08/02 07:54:04 发布 | 2007/08/02 08:05:05 更新
  • 分类: 音乐  欧美音乐 

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专辑中文名Baader Meinhof
资源格式MP3
发行时间1996年
地区英国
语言英语
简介

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专辑介绍:

深海下蕴藏着无穷的宝藏,因为那里暂时还是多数人类的禁区。黑暗、极压、一切未知的危险只能阻挡一时,贪婪的脚步从未停滞。带鱼、鲳鱼、黄鱼、毛虾位于浅海,够体贴渔者的辛苦,亲身出没鱼网,不然也决计成不了大众海产。人民听多了Oasis、 Blur、Pulp、Coldplay就想尝个新鲜,市场需求,金钱诱惑,渔者的精气神像氢气球,一飞冲天。Radiohead、Mansun、 Suede辈应运上市,可人民的嘴巴也不会轻易就被螃蟹、龙虾、象鼻蚌之类的美味就搪塞了。有向鲍鱼、鱼翅挺进的,更有挖掘深海美味的。只不过,来自深海的各位恶劣环境生活惯了不似浅海同胞那般有亲和力,价格是天上人间,美味却是空中楼阁,郁闷了嘀咕几句,说不定它还朝你瞪瞪——“您啊,爱买不买”!

Luke Haines就是这副深海珍宝的德行,似那蜷缩在昏暗的剑客,萎靡不振而孔武有力,怯弱无能而又充满了英雄气概,宛如颗诡异不详之星辰,挥散着无尽的黑光幻彩。你可以击倒他。但别指望他会服输,尽管他也曾妥协,尽管下场也还是这般凄离。我几乎忘记他,却记得他风里荡漾;我确实忘记他还会创作,却被告知他发新碟的消息,于是又一场逝水年华追悼会的悲切中,我陷入沼泽。

自Morrissey(下简为Moz)之后,桂冠诗人型的音乐刺头天才在英伦就罕见了, Luke Haines适时地填补了这个空缺。尽管Luke在唱腔上偏重猥琐下流的路线和Moz最纯粹的翩翩雅致肉嗓有点出入,但我很愿意把他归为Moz高举人文审美的嫡系一脉,因为他的这种继承不仅限于歌曲表层各方位,更是精神上的,要比某某拖个长音学个Moz唱腔来得更具有说服力,尽管他没被某某杂志标榜为 The Smiths接班人,更鲜有人提及此种看法。甚至某种程度上,Luke Haines在音乐上的才华是完全超越Moz的。在创作上,Moz只是一个音乐感觉很好的文人,文人的尖酸刻薄、睥睨于世都渗透在他歌词的字里行间以及平时的处事为人,尴尬的是由于不会任何乐器与曲创作,他能够操控的只是音乐感官的宏观取向,往往被动地被partner的变更牵着鼻子走。Luke Haines决不会有这样的尴尬,对一个独裁者而言,尴尬往往是自己过于接近完美而使得合作者的才华无用武之地,俨然成为了独裁者宏伟神像下的陪衬人。如果说,把包办歌词创作和演唱的Moz比作是走Hi-Fi发烧路线的CD唱机,把打包曲创作、编曲、乐器演奏的Johnny Marr视为相匹配下的音响系统其他部件;那Luke Haines就像一台优质的组合音响。黑暗中你能感受到Luke Haines双瞳的闪耀,左眼相较微弱之光芒,射向Johnny Marr,右眼炯炯寻找到了Moz。

http://ent.163.com 来源: 网易娱乐 王莫之

Well regarded as one of the finest and most prolific songwriters in Britain, ex-Servant Luke Haines has helmed the glam noir of the Auteurs, the broken funk of Baader Meinhof, and the downbeat atmospherics of Black Box Recorder, in addition to releasing material under his own name. During the last seven years of the '90s, Haines issued six records that ranged from fine to spectacular. Since the Auteurs' debut, the Mercury Prize-nominated New Wave, Haines' level of talent as a songwriter and musician has proved to be difficult to measure. Whether mixed in metaphors or straight-to-the-point, Haines' compositions display sly marksmanship, perfectly capable of placing a keen eye on class, politics, sex, and lifestyles of the urban and suburban. Despite the less than upbeat nature of his subject matter, he's an unapologetic pop songwriter. A Haines melody is the equivalent of receiving a knock on the door from someone offering a candygram; but a Haines lyric is the equivalent of discovering that the candygram is being delivered by a land shark.

Hot on the heels of the critical and commercial success of Black Box Recorder's second album, 2000's The Facts of Life (the title track hit the upper reaches of the U.K. singles chart), Haines issued his first solo recordings. Christie Malry's Own Double Entry and The Oliver Twist Manifesto were released within a couple months of each other in mid-2001. The former is a soundtrack to the darkly comic film of the same name, and the latter found Haines flirting further with hip hop production techniques. During the week of its release, Haines called for a week-long National Pop Strike, a period in which any musician could turn in his or her wares and receive amnesty for any and all "crimes" committed against pop.


http://cimg.163.com/ent/2005/7/27/20050727171958d41d8.jpg



专辑曲目

01. Baader Meinhof
02. Meet Me at the Airport
03. There's Gonna Be an Accident
04. Mogadishu
05. Theme from "Burn Warehouse Burn"
06. CSG-29
07. ...It's a Moral Issue
08. Back on the Farm
09. Kill Ramirez
10. Baader Meinhof


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