Michael Bolton对情歌的演绎，出色在于其独到的唱腔。在其硬摇滚乐队生涯时期，Bolton的嗓子在狂喊中打磨出粗糙而又富有磁性的音色；而早期灵歌的积累，则使他在各个音阶的承启转换中进退自如；再加上双鱼座天生的感性，以及那头如雄狮般的卷发，Michael Bolton作为情歌大师，含情脉脉的演唱魅力十足，被称作乐坛上的“情歌大师”。但是，也有很多人对他声嘶力竭似的演唱并不欣赏，即使在主流乐坛，Michael Bolton也遭遇了许多非议。专辑缺乏内在呼应、没有鲜明主题却始终是Michael Bolton音乐作品的硬伤。对情歌外在的包装、演唱腔调的与众不同，毕竟掩盖不了Michael Bolton的作品缺乏艺术探索和创新的事实。并且，由于主题的相对狭窄，决定了他的音乐作品先天性的单薄。尽管听Michael Bolton演唱是件快乐的事———很容易让人陷进由其歌声营造的意境当中. 本人觉得这是一张很好的抒情现场专辑，心情很糟的时候写感觉也是很难受的，但这张专辑的音乐我想并不糟.
Singer/songwriter Michael Bolton had an extensive, though not very successful, career under his real name, Michael Bolotin, before emerging in the mid-'80s as a major soft rock balladeer. He turned up on RCA Records in the mid-'70s singing in a gruff, Joe Cocker-like voice both his own blue-eyed soul songs and cover tunes. Neither record buyers nor critics were much interested by the result. He then became the lead singer in Blackjack, a heavy metal band that made two albums for Polydor at the end of the '70s and the start of the '80s. In 1983, he changed his name to Michael Bolton, signed to Columbia Records as a solo act, and relaunched his career.
Michael Bolton was released in April 1983, and made the Top 100 bestsellers, as did its single, "Fools Game." At the same time, "How Am I Supposed to Live Without You," which Bolton had co-written, became a Top 40 hit for Laura Branigan. Nevertheless, Bolton's second Columbia album, Everybody's Crazy (1985), was a commercial flop. His breakthrough came with his third album, The Hunger, released in September 1987. On this album, Bolton abandoned the more hard rock aspects of his style to concentrate on blue-eyed soul singing: both on his own songs, such as "That's What Love Is All About," and on covers like Otis Redding's "(Sittin' On) The Dock of the Bay." Those two songs became Top 40 hits.
Soul Provider, released in July 1989, turned Bolton into a superstar, reaching the Top Ten, selling four million copies, and spawning five Top 40 singles, including Bolton's number one version of "How Am I Supposed to Live Without You," and the Top Ten hits "How Can We Be Lovers" and "When I'm Back on My Feet Again." "How Am I Supposed to Live Without You" won Bolton a Grammy Award for Best Male Pop Vocal Performance. Time, Love & Tenderness, released in April 1991, was even more successful, hitting number one, selling six million copies, and featuring four Top 40 hits, including the chart-topping cover of Percy Sledge's "When a Man Loves a Woman," and the Top Ten hits "Love Is a Wonderful Thing" (later the subject of a successful plagiarism suit brought against Bolton by the Isley Brothers) and "Time, Love and Tenderness."
Bolton won another Grammy Award for Best Male Pop Vocal Performance, for "When a Man Loves a Woman," but he had to put up with abuse from two camps of detractors at the February 1992 ceremony. Just after Bolton had performed, pre-rock songwriter Irving Gordon won the Song of the Year award for "Unforgettable" and pointedly attacked songs that "scream, yell, and have a nervous breakdown" and singers who "have a hernia" when they sing. Then, backstage, Bolton faced a hostile press corps of critics unhappy with his tendency to copy great soul singers like Redding, Ray Charles, and Sledge. Bolton suggested they apply their lips to a certain part of his anatomy. He further responded with Timeless: The Classics in September 1992, an album made up entirely of cover songs. It went to number one, sold three million copies, and featured a Top 40 hit in Bolton's version of the Bee Gees' "To Love Somebody." Bolton's next album of original material, The One Thing, came in November 1993. It hit the Top Ten, sold three million copies, and featured the Top Ten hit "Said I Loved You...But I Lied." Bolton released Greatest Hits 1985-1995 in the fall of 1995, which debuted in the Top Ten. The following year, This Is the Time: Christmas Album appeared.
Bolton returned with All That Matters, his first album of new material since 1993's The One Thing, in the fall of 1997. Instead of continuing his success, it was a surprise flop. Not only did it not generate a hit single, it barely cracked the Top 40 and fell out of the charts after 15 weeks. Its lack of success didn't stop Bolton from turning his attention to My Secret Passion, a collection of opera and arias that he released in January 1998. By classical standards, the album was a hit, and the record received a great deal of press and surprisingly good reviews. He supported the two albums with a summer tour which were co-headlined with Wynonna Judd. He voluntarily stepped back for almost four years, disappearing from the public eye until the spring of 2002 when he began promoting Only a Woman Like You, his first album on Jive Records. After a brief sabbatical, he returned with Til the End of Forever, a hybrid new album of seven new recordings and a live greatest-hits concert. In 2006 he released Bolton Swings Sinatra, a 12-song tribute to Ol' Blue Eyes that included a duet with fiancée/actress Nicolette Sheridan.
01. I'm Alive [3:46]
02. Til the End of Forever [4:43]
03. Still the Love of My Life [3:24]
04. Next Lifetime (with Liz Sharpe) [4:24]
05. Hear Me (with Jim Brickman) [3:59]
06. The Courage in Your Eyes [4:11]
07. Said I Loved You. But I Lied (Reggae Version) [4:25]
08. Time, Love and Tenderness [5:00]
09. When A Man Loves A Woman [4:19]
10. Go the Distance [4:57]
11. Nessun Dorma [3:34]
12. Dock of the Bay [3:54]
13. To Love Somebody [4:47]
14. How Can We Be Lovers [3:36]
15. Love is A Wonderful Thing [4:50]
16. Soul Provider [4:26]
17. Steel Bars [4:25]
18. How Am I Supposed to Live Without You [4:59]