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Arditti String Quartet -《U.S.A》(U.S.A)Nancarrov,Cage,Feldman,Ives,et al[flac]

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  • 摘要:
    发行时间1994年
  • 时间: 2006/04/12 12:47:12 发布 | 2006/04/12 12:47:12 更新
  • 分类: 音乐  古典音乐 

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专辑英文名U.S.A
专辑中文名U.S.A
版本Nancarrov,Cage,Feldman,Ives,et al[flac]
发行时间1994年
地区美国
语言英语
简介

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专辑介绍:

纳卡洛夫(Conlon Nancarrow,1912- ),墨西哥/美国作曲家。
http://www.ensemble-modern.com/php/pix_bio/conlon_nancarrow.jpg

卡特(Elliot Carter,1908- ),美国现代作曲家。卡特在美国著名作曲家艾夫斯的鼓励下成长,艾夫斯推荐他入哈佛大学,受业于辟斯顿,同时师从霍斯特。1940年起从事音乐教育,先后在圣约翰学院、耶鲁大学、朱利亚德音乐学院等地执教。他的成名作是芭蕾舞剧《波卡洪塔斯》(作于1937年-1939年),卡特的音乐追求高度理性,其音乐冷峻苛涩,通过强调音色变化与乐器的演奏计技巧来建立自己的特色,经常使用复杂交错节奏来改变节拍位置,称之为“韵律的转换”。卡特注重于音乐组织结构与组织形式本身的张力的探讨,因该说是贝尔格与韦伯恩音乐的发展,他的著名作品为《双协奏曲》、《钢琴协奏曲》、《乐队协奏曲》与3首弦乐四重奏。 (林逸聪《音乐圣经》)

艾 夫 斯(IVES,Charles Edward)
http://www.charlesives.org/imagesgal/14_196.jpg
美国作曲家。1874年10月20日生于康涅狄克州丹伯里,1954年5月19日卒于纽约。父亲在南北战争时曾任北方军一个军乐队队长,后在家乡组织铜管乐队,艾夫斯的音乐思想和创作深受其父的影响。5岁起跟父亲学钢琴和其他乐器,12岁在父亲的钢管乐队里演奏和作曲,14岁在教堂任管风琴手。青少年时期继承了超验主义(Transcendentalism)的进步传统,喜欢独立思考,追求和平民主的理想;在艺术上广泛接触美国民间音乐,系统地学习了欧洲传统的和声、对位、音乐史等,并对不协和音产生了浓厚的兴趣。1894至1898年,他在耶鲁大学学习,师从作曲家帕克〔H·Parker),因为热哀于探索不协和音响,与老师合作不好。1899年起,从事保险业,业余作曲。1930年因病退出保险业,隐居,同时作曲。
艾夫斯的音乐创作长期未被人发现。20世纪30年代初,他自费出版了一些作品和文集,只引起了少数人(如考埃尔等人)的注意,无大影响。直到70年代,美国音乐界才普遍重视他井给予高度评价。
他的作品多采用教堂音乐、民间歌曲、乡间铜管乐曲调、爱国歌曲等素材,大多附有标题或文字说明,内容反映了19世纪未美国东部乡间生活和作者对美国文学、历史、自然景色和人民的深厚感情,有意识地表现了他的哲学思想。艾夫斯的作品几乎都完成于20世纪初的10多年间(1896-1916),但他已经应用或试用现代复节奏、多调性、无调性、十三和弦以至高叠的“摩天和弦”、音束、四分音、机遇音乐等现代技术,从而被认为是欧美最早的现代派作曲家之一。艾夫斯奠定了美国音乐创作的现实主义基础,为运用现代音乐语言反映社会开辟了道路。
艾夫斯的主要作品有管弦乐《第三交响曲“露营集会”》(The CampMeeting,1904-1911)、《中央公园在黑暗中》(Central Park in the Dark,1906)、《未被回答的问题》(The Unanswered Question,1906)、《假日交响曲》(A Symphony:Holidays,1904-1913)、第一管弦乐套曲《新英格兰三个地方》(Three P1aces in new England,1903—1914)、第二管弦乐套曲(Orchestral Set No 2,1915)、合唱曲、弦乐四重奏、钢琴三重奏、小提琴奏鸣曲、《第二钢琴奏鸣曲“康科德”》、管风耳曲及大量歌曲等。
(摘自《现代音乐欣赏词典》蔡良玉)

Jay Alan Yim (b.1958). American composer living in Chicago. During the 1995-96 concert season, he served as Composer/Fellow for the Chicago Symphony Orchestra. Artists such as the San Francisco Symphony, Chicago Symphony Orchestra, Nederlands Radio Filharmonisch, Residentie Orkest Den Haag, Tanglewood Music Center Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, Sendai Philharmonic, London Sinfonietta, Arditti String Quartet, Boston Musica Viva, Nieuw Ensemble, and Frances-Marie Uitti have commissioned, performed, toured, and broadcast his music.
(来自网络)

费尔德曼(Morton Feldman,1926- )
http://www.ensemble-modern.com/php/pix_bio/morton_feldman.jpg
美国作曲家,最初师从里格尔(Rigger)和沃尔普(Wolpe),1950年与凯奇相识后,深受影响。同时又与纽约的抽象表象主义画家交往甚多,开始采用极端的点描式配器作曲法。1950年自创作《投影》(Projection)后,开始采用图形记谱法,即大致指明每件乐器的上中下音区,时值则划合成相等的小格。一条线从中穿过表示一个音符的长短,或者在小格内标明一个数字,表示在这段时间内要奏出多少音符。1970年起又恢复严格的传统记谱法。 (林逸聪《音乐圣经》)

艾爾文‧盧塞爾(ALVIN LUCIER)
http://www.lovely.com/photos/lucier01.jpg
在音樂編曲及表演皆是先驅者。他生於一九三一年於美國新罕布夏州,他畢業於耶魯大學,並獲得副爾布萊特獎學金而旅居羅馬創作兩年,並曾經在一九六二年至一九六九年在布蘭迪斯學院任職,致力於新音樂的創作。一九七○年後轉任維瑟恩大學(Wesleyan Universit)教導音樂。
艾爾文‧盧塞爾開創了表演藝術的肢體語言並運用腦波於現場表演中,使用動態媒體在聲音中傳達視覺意象、讓人們透過其聲音創作召喚出腦海中的自然風景。盧塞爾最近的作品包括一系列聲音裝置、單一樂器表演、空間中的整體合奏,藉由電子器材使用近音調整、聲波及單一音源的拼貼,達到整體的和諧。
摘自全球聲音藝術資訊網

La Monte Young
http://www.otherminds.org/images/GIFS1/Lamonte2.gif
(born Bern, Idaho, 1935) has pioneered the concept of extended time durations in contemporary music for over 35 years. As well, his work has played a central role in the development of the use of Just Intonation in 20th-century music and the growth of the Minimalist style. Early involved in jazz, during the 1950s La Monte Young was a performer in Los Angeles of jazz saxophone, playing with Eric Dolphy, Ornette Coleman, Billy Higgins, and Don Cherry, among others. After graduate composition studies at the University of California at Berkeley, he moved to New York City, where he directed the first loft concert series in that city. He has lived in New York ever since.

With the founding in 1962 of The Theatre of Eternal Music, Mr. Young began work on his ongoing ensemble work The Tortoise, His Dreams and Journeys (1964-present). Over the years, members of The Theatre of Eternal Music have included Terry Riley, John Cale, Jon Gibson, Jon Hassell, and Marian Zazeela. His other major ongoing work has been his The Well-Tuned Piano (1964-73-81-present), for a special, Justly tuned Bösendorfer Imperial piano. By 1987, his performances of this work had expanded to a duration of almost six and a half hours.

Since the early 1960s, La Monte Young has collaborated with visual artist Marian Zazeela. Together, they have designed numerous "sound and light" environments, utilizing electronically generated sustained tones in a specially lighted environment. In addition, Mr. Young's concert works are usually presented with lighting designs by Ms. Zazeela.

In 1970, along with Terry Riley and Marian Zazeela, La Monte Young began his studies with the north Indian vocal master Pandit Pran Nath. They became his disciples, a relationship that continued until Pran Nath's death in June 1996. Their special tributes to Pandit Pran Nath can be found here.
转自http://www.otherminds.org/shtml/Young.shtml

John Cage

Four
--------------------------------------------------------------------------------
Category: Musical composition
Dated: New York City, before May 9, 1989
Instrumentation: String quartet
Duration: 10' (?) or 20' or 30'
Premiere and performer(s): November 24, 1989 at the Contemporary Music Festival in Huddersfield, performed by the Arditti String Quartet.
Dedicated to: for the Arditti Quartet
Choreography: ---
Published: Edition Peters 67304 © 1989 by Henmar Press
Manuscript: Sketches with draft of performance notes (holograph in ink - 7 p. Folder 790); 4 parts (galley proof with holographic annotations in ink - 16 p. Folder 791), both in New York Public Library
--------------------------------------------------------------------------------
There is no overall score, but 4 parts, each of which can be performed by any of the players. Every part consists of three five-minute sections (A, B and C), each with flexible time brackets and one fixed time bracket. In a performance, parts have to be exchanged and repeated by another player after finishing one or more sections.

摘自JOHN CAGE database

http://img325.photo.163.com/lvmaoqiu4182/37900124/1087448043.jpg

转发。em搜索。有很多图,有log。



专辑曲目

1. String Quartet No. 1: I. Allegro molto
2. String Quartet No. 1: II. Andante moderato
3. String Quartet No. 1: III. Prestissimo
4. Elegy
5. Scherzo
6. Autumn Rhythm
7. Structures
8. Fragments
9. On Remembering A Naiad: I. A Wisp
10. On Remembering A Naiad: II. A Gnarl
11. On Remembering A Naiad: III. A Leaf
12. On Remembering A Naiad: IV. A Twig
13. V. A Tooth
14. Four

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