相比只下ABBADO早期總叫我感覺缺乏厚重的老德味,弦樂發瑟發亮追求一種旋律美或者說是一種织体而忽视了一些德意志的那种厚重精髓的表达。这也是以诺灵顿为首的本真派最大的缺点为富特所不耻。我喜欢切利和克伦配勒的BRAHMS。而卡拉杨就从来也齐不了。
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