Midori.美岛莉.-.[法国小提琴奏鸣曲].专辑.(APE).rar

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gerrylin1967

2012/01/28 17:18:24

[0]

頂一下!
Thanks!

bfc

2011/01/05 20:34:25

[+1]

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我也有张美岛莉，等升到铜光盘了就发布下，呵呵

nightsilhouette

2010/12/08 15:53:41

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引用(joewoo198256 @ 2009-01-30, 12:40 AM)

关于Debussy的奏鸣曲，Amazon.com上的一个网友观点很有意思：
Midori's Debussy sounds very very sharp and aggressive (in an extra refined manner as always). But I have to say that such conviction also sounds very imposing, and it lost spontaneity and fantasy from the piece. It felt like as if I were enjoying a very modern art piece in a minimal space... meaning lack of an organic quality; She sounds beautiful but not so engaging. I would recommend Kyung-Wha Chung/Radu Lupu for Debussy.

Debussy的这部作品可以听上面推荐的郑京和与Lupu合作的版本，坛子上有
http://www.VeryCD.com/topics/237669/
做个比较，本人非常喜欢这几部法国室内乐作品，品位相当高雅，Midori的演绎，虽然如上面所说非常的激进锋利，少了一点法式沙龙气息，但是还是相当有水准的。

PS：废话两句，一部电影对欣赏这些法国室内乐相当有帮助，Un Coeur en Hiver，《冬天的心》，Béart主演，全片贯穿Ravel的三重奏，Béart的小提琴演奏水平令我吃惊。看来不止是花瓶。有兴趣的朋友可以看看。
http://www.VeryCD.com/topics/158206/

谢谢推荐这部电影。

Reminiscences

2010/10/16 07:08:08

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Robert McDonald's piano playing is eminently respectable.

443liliths

2010/07/08 22:33:23

[+3]

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很喜欢她，不知道楼主有没有她那张 Midori Encore !找了很久都找不到！

joewoo198256

2010/06/30 23:25:16

[+1]

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看看《纽约时报》的乐评：
RECORDINGS; French Styles, Captured and Unattended
By DAVID MERMELSTEIN
FRENCH VIOLIN SONATAS

Midori, violinist; Robert McDonald, pianist. Sony Classical SK 89699; CD.

The violinist Midori long ago revealed a sympathy for edgy, even neurotic scores. So it is no surprise to find her playing Poulenc's Violin Sonata grippingly. This complex, often contradictory, work has much to recommend it, and Midori revels in its sharp turns and world-weary harmonies. Her especially broad tonal palette lends further richness. 【主要看对普朗克的评价】

Simple charm and lithe bowing lie at the heart of her mellow performance of Saint-Saëns's First Sonata, essentially a fancily packaged bonbon that she invests with seeming substance. Though pure whipped cream, the piece is no less delicious for her conviction and matchless technique.

Yet that technique has also allowed Midori to play certain scores with disconcerting facelessness. (In one recital, she made sonatas by Mozart, Beethoven and Elgar sound as if a single composer had written them.) Such a lack of character mars Debussy's familiar Sonata in G, which here sounds easy and routine, lacking the urbane and perfumed qualities it needs to succeed. There are simply too many excellent versions of this outstanding piece for her well-played but unremarkable version to prove competitive.

Midori's accompanist is the pianist Robert McDonald, a gifted artist in his own right. Longtime collaborators, Mr. McDonald and Midori are as comfortable together as one could wish. And Mr. McDonald is not afraid to take the spotlight occasionally. To her credit, Midori seems only to encourage him. DAVID MERMELSTEIN