渴 (2005)

If you are not fond of slow silent visual movies, I apologize but I can not recommend you of this one since films being so are the things to make them worth while their duration to my opinion.

As I like, it's again a Beckett kind of story though inspired by a true story: The existent of life where no life exist. A family dragged by it's patriarch to an abandoned place in order too keep owning it's territory, with hardly having a reasonable supply of water to be up to while there. An unsolved and unexplained tension between a father and daughter and traditional annoying matter of a son taking his fathers place since it is the only reasonable place for him to take.

In a Conversation between the director and audience I enjoyed listening to a rather intelligent person refusing to expose or, better if I say force one opinion to his own by telling in words what he wished us to see on the screen.

The film allows you to keep and exercises you ability to think and understand. The great, talented photographer (Sodry) drawer you deeply inside a place where you never were, probably never will be while keeping the real colors and shapes of the environment and making it look even better than it would in real life.

I highly recommend being patient and seeing it through, if you enjoy the activity of thinking and resent being told what you see while seeing it, believe me, you will not regret!!!

巴勒斯坦电影导演陶菲克阿布瓦埃勒将镜头对准了一个普通的巴勒斯坦家庭，讲述了一个因“渴望”而产生的悲剧故事：巴勒斯坦人渴望在这片土地上生活；阿拉伯妇女渴望摆脱丈夫的苛刻管...

If you are not fond of slow silent visual movies, I apologize but I can not recommend you of this one since films being so are the things to make them worth while their duration to my opinion.

As I like, it's again a Beckett kind of story though inspired by a true story: The existent of life where no life exist. A family dragged by it's patriarch to an abandoned place in order too keep owning it's territory, with hardly having a reasonable supply of water to be up to while there. An unsolved and unexplained tension between a father and daughter and traditional annoying matter of a son taking his fathers place since it is the only reasonable place for him to take.

In a Conversation between the director and audience I enjoyed listening to a rather intelligent person refusing to expose or, better if I say force one opinion to his own by telling in words what he wished us to see on the screen.

The film allows you to keep and exercises you ability to think and understand. The great, talented photographer (Sodry) drawer you deeply inside a place where you never were, probably never will be while keeping the real colors and shapes of the environment and making it look even better than it would in real life.

I highly recommend being patient and seeing it through, if you enjoy the activity of thinking and resent being told what you see while seeing it, believe me, you will not regret!!!

巴勒斯坦电影导演陶菲克阿布瓦埃勒将镜头对准了一个普通的巴勒斯坦家庭，讲述了一个因“渴望”而产生的悲剧故事：巴勒斯坦人渴望在这片土地上生活；阿拉伯妇女渴望摆脱丈夫的苛刻管制，男孩子渴望到学校去继续接受教育。全家人的平静生活因为父亲的一个决定而改变了。一天，父亲决定用非法的手段将自来水管里的水引到自己的家里来。三个女人由于害怕这一举动会引来灾难而表示不同意，十几岁的儿子则希望通过支持父亲的决定获得重新上学的权利。（神射）

获奖：2004年以色列电影学院奖最佳摄影

2004年戛纳电影节影评人费比西奖